Showing posts with label se7en. Show all posts
Showing posts with label se7en. Show all posts

Friday, 21 March 2014

Title Sequence Feedback

On Wednesday we previewed our title sequence to the class. These are the feedback sheets.








The main feedback was that some of the shots were too long and that it was closely related the the Se7en title sequence. Liam has since re-edited the sequence and cut down shots.



Tuesday, 11 February 2014

Developing the Detective

In order to create a convincing and detailed title sequence we'll have to research and find people or characters from film and TV that we can use to help develop the character of Detective Lawrence Ansen and our murderer.


Over the years, TV, books and film have seen a range of detective characters as murder mystery is a very popular viewer experience. Memorable characters such as Sherlock, Dexter, Miss Marple, Hercule Poirot and so on have adapted from books with great description of the characters background, personalities, looks etc and it is difficult to create a memorable Murder Mystery detective or catalyst to the situation without coming from a book. For our characters, this means we can take characteristics of various memorable characters and put them into one for our own detectives and killers.

In the film, Se7en, the film that inspired us to take our title sequence down this route, has two very memorable detectives; Detective Mills, who is played by Brad Pitt and Detective Somerset who is played by Morgan Freeman. It is the character of Mills that I find to mostly fit best with the character we wish to create as he is a detective who needs to prove himself in a big murder case and he is passionate about this case and it takes him over the edge. 



The fact that Mills has a wife and love-life helps the viewer feel sympathetic and connect to the character and his situation. This is what we will aim to portray to the audience in our title sequence; being done through images of his wife and other varying forms of media.

                                        

Friday, 7 February 2014

Se7en Title Sequence Analysis.




Narrative

The villain seems to be more evil and brutal when there is that aspect of mystery as the tension is building within the audience. 

The different words focus on the films complex plotline, suggesting that the audience has to think hard about the different events within the film.

Mise-en-scene

The opening sequence does not include any long shots of the setting; but the audience can assume that the things taking place are happening in someone’s home, or in a lab as the props are what you would typically find in these places. However not actually knowing the location could create tension for the audience.



The props used in the opening could be associated with investigations and detective work. These include books, photos, files, pens and paper. It appears as if the person is putting pictures and information into one file or case.







All of the objects are shown very close up and therefore they take up most of the frame. This creates suspense as the audience don't know who the person doing these things is as they cannot see their face or where they are.

All of the shots are reasonably dark, this connotes danger and that the film will be quite serious. The shots are indoors using low key lighting, this gives the setting a dull and suspicious feel.

Most of the colours shown are black and white, however when the photos are shown being developed you see the red light that is used to develop them. There is also a flash of red across the screen at one point giving the connotations of blood and murder. 



Editing

The opening is in a montage format, it is lots of different clips put together. The fact that it isn’t done in an chronological order that makes sense gives the idea that this person is doing many different things to create some sort of file or investigation about something.

The fading of some of the transitions creates an eerie feel, and the fade to black reflects the sincerity and darkness of the overall film. 

The filter in the camera is sepia which is made up of grimy and dirty browns, this makes the audience feel nauseous and uneasy, highlighting the psychological thriller genre.

Most of the shots are fairly short, however some are edited into slow motion. The music is also quite slow, particularly at the beginning which gives it a slow pace. As the sequence builds up and gets faster towards the end, it creates tension for the audience and shows that it will be a tense film to watch.



Cinematography

As all of the shots are close up objects, there are many shallow focuses. For example of the books, a pen, photos etc. These allow the audience to focus on what is happening with these items as it may reflect the happenings in the film. It also distracts them from seeing who the person is that is doing these things which creates tension.





During the opening sequence, most of the camera shots are still. There is not much panning or any other kind of movement as all of the shots focus on one main thing and keep it at the centre of the shot.

Titles
The titles that are written appear in a font that resembles handwriting. This fits in with the idea of someone creating a file or investigation, as well as some of the props. The text appears in white which makes it stand out against the dark background.








Sunday, 19 January 2014

Title Sequence Sounds

In this lesson we looked at the following title sequences:

Se7en (1995) — Art of the Title


Vertigo (1958) — Art of the Title


Catch Me If You Can (2002) — Art of the Title


Skyfall (2012) — Art of the Title

We spoke about different title sequences like Se7en, Skyfall, Vertigo and Catch Me If You Can, looking specifically for the type of things that were used to make the sound. 
We discussed different sounds we heard such as musical sounds (drums, symbols), or sounds that would have been created by someone - foley. EG footsteps, wind, door slamming and crashing.

We then spoke about foley sounds and how they're created, and went off to record our own using a device like this:





It picks up the tiniest of sound from each end when can then be used as it is or distorted to create a different sound.

My group used the school lockers to smash shut, the radiator and a creaky door.









Title Sequence Designers

Today (10.1.14) we watched various title sequences from different graphic designers with different styles, such as:

Dexter: http://www.artofthetitle.com/title/dexter/

Se7en: http://www.artofthetitle.com/title/se7en/

The Man With The Golden Arm: http://www.artofthetitle.com/title/the-man-with-the-golden-arm/

Napoleon Dynamite: http://www.artofthetitle.com/title/napoleon-dynamite/

Each of these have a distinct way of creating a title sequence which reflects the genre of the film and what it will be about.Dexter is about a killer who only kills people who have done bad to other people. The title sequence is of a low pace, with calm back ground music but it feels like the pace could pick up and any given moment. This is similar to the character of Dexter, who is calm throughout the original book but towards the end really picks up the pace of his work, but murdering or helping to murder one of his colleagues. 

We then looked at how a title sequence is planned; the time frames between what is shown, the order of the names eg; Producers, Directors, Starring Actors, Make Up Artists etc. We then went and looked at a title sequence of our choice, seeing the pattern between the times of which something was shown, the order of the names etc. We found that it is often the same throughout every sequence, usually having the most important people first and down to the least important.